No title. 1996.

Silver lost-wax casting. Work signed twice, and with the indication of Artist Proof. Von Rotchetein Foundry. Measurements. Height: 14.2 cm / 5.6 in.


As if it were an old mooring bollard, the figure shows us a twisted rope that is held and passes through the interior of the head, and silent testimony, it lies cut, silent testimony of the ravages of a storm, or of time itself, that everything changes...


Artist and teacher, Juanjo Mosca seeded the country with friends with his exhibitions and educational tours, always with his sensitive soul and his pleasure to share with children and young people, between sane people and others so special. He worked at the Braulio Moyano Women's Neurosychiatric Institute, dictating his plastic workshop.


The sculpture trapped him for many years, including a series of great significance, that of the oily cormorants, "dying and wanting to live," as Teodoro Craiem defined them in the catalog that accompanied the exhibition at the Recoleta Cultural Center in 1999. (1) Official of the Banco Ciudad, garnered friends, admiration and respect. He exhibited individually in numerous galleries. He participated in ArteBA on numerous occasions.


Notes:

1. Juan José Mosca. Crucifixion. Recoleta Cultural Center. September October. 1999. S. On. 4. L3


AUTHOR JUAN JOSÉ MOSCA

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